Monday, July 24, 2006

Living Memorial

(Poetry Thursday)

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(Best recent Google -- from Rarity)

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All this year, I have enjoyed a maddening love-hate relationship with the nascent literary medium that is the blog.

This fascination extends back more than 10 years, to when I first began to use the Internet at home (before I used the Web, back when you really could do one without doing the other). Even then I wanted to know how the 'Net would influence writers. I knew there'd be a form, I just didn't know what it was or what we'd call it.

Now I do. It's called the blog.

A new art form has to add a dimension of texture, a new confluence (current favorite word) of experiences not offered by existing forms. And no, Luddites, it does not supplant others. Did cinema supplant theatre? Did musical theatre supplant opera? Did contemporary composition supplant classical? Did photography supplant painting?

The blog supplants neither the essay nor the memoir, its closest literary cousins. The screen will not replace the page. Somewhere, someone will always want the physical reassurance of paper, and increasingly that experience will be an integral part of a newish sensual art form, the print book (funny, it doesn't look Newish).

I am stating the obvious here: the blog adds Time to Space, and gives us a quantum literature experience.

I have been fascinated and infuriated by the temporary nature of the blog form. Fascinated especially when, for example, I happened to be reading in that nanosecond of time right as the blogger was finishing his or her most current post, so when I refreshed the page I saw new content.

Infuriated by the drive to keep going, to seize the new, to get more--in blogs as in our culture, and in human nature so no surprises here.

I have been fretting about the time it takes, all the waste, and the fact that as a working writer I actually ought to be, well, working. All year I have been thinking that I should be using this time to write a book, and I have written one.

It is called The Truth Hurts.

It stands in the satisfying grey area between the writer's desk and the bookstore window. It is happening before my readers' eyes, it is happening because of and in response to my readers' comments, it is increasingly an accurate, aggregate reflection of one quirky little personality currently on the planet's surface. And it is free. It only costs you time. The Quantum Age's new currency.

It is an ememoir, the diary of a consciousness in one temporal year of its life, 2005-2006 in the Common Era, 5765-5766 in the Jewish calendar, 4,500,000,000 in the Earth's age, and 41-and-change to 42-and-change in my own life.

So like all good books, now it needs to be revised.

For as long as I live. While you read it.
I read recently of a 1992 poetry project undertaken by cyberauthor William Gibson (quoted once as saying, "The future is already here, it's just not very evenly distributed.")

His Agrippa (A Book of the Dead) it commemorates his father by examining--viscerally, virtually--the weird possibilities of the physical book in the electronic age.

Lovely, really.

See, I am changing this blog to something like that, perhaps kinder to our illusions of endurance and memory, less uncompromising than Gibson's book, a diskette that erases itself page by page as it is being read. My ememoir will be more like a snake swallowing its tail, and like any good predator it will use virtually all of its prey--the posting space, comment space, marginalia, outlinks and inlinks--in the service of its growth and survival.

For a long time, especially since losing so many people between 1992 and now, I have not been predisposed to move forward. I really think forward is overrated. Forward is the model child the whole family devotes itself to, while Backward hangs back and Sideways looks askance, and Under can rarely be found at family functions at all (he's right there, people, under the table of course, and he's the center of every discussion though we don't dare speak his name).

Here's what will happen in this virtual space from now on.

Nothing and everything will change. The title of this post will remain what it is, the spirit of it and each post too (I think, though everything is subject to change). This particular top post will remain what it is: an explanation, a manifesto, a gateway, a challenge, and most important a greeting to my unseen, some unknown visitors.

I will make it ever better and reflect my ongoing life without altering its essence or changing the strictural relationship of this year's sequence of posts. I will take care of this year's worth of observations, fix its broken links and change content and images when it seems right. I will add and subtract links, sidebar material, and perhaps the profile. I will add to or change posts when it seems valuable. But I will not add any new posts themselves. And I will not delete a post or its title, per se. So in spirit this blog remains a record of July to July in one person's consciousness.

Won't it be interesting? I think it will.

This blog, this ememoir, will thus be more likelife as it grows within rather than onward. Or maybe it will be less like physical life, and more like inner life, which is its parent. More like memory, which seems fixed but isn't.

More like the truth.

* meantime, while I am figuring it out further, here's an interesting site--and important controversy--that's been absorbing some of my attention.

Thursday, July 20, 2006

Poetry Thursday: The End, My Friends

About a year ago I started this blog. Even if I don't end it outright (I might; for the real world beckons to me now better than it did last year), still, the end of a year is an ending of sorts.

As I was trying to select a poem for today (and possibly for a while), I found the one below. I'd already mapped out the post and its allusion to Lebanon when, later in the evening, I stumbled across the same poem, used in May, by my bliend baraka. It's here. I love that she prefaced the poem with two identical phrases of wisdom from the trees of Islam and Judaism.

Could it be, finally, that the Internet is a technology capable of saving us all? Peace-loving bloggers agree: words, spoken with care, are still capable of being beautiful.

So in honor of endings and endurance, this:


A Song On the End of the World

by Czeslaw Milosz
Translated by Anthony Milosz

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels' trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophetYet is not a prophet, for he's much too busy,
Repeats while he binds his tomatoes:
No other end of the world will there be,
No other end of the world will there be.

Copyright © 2006 The Czeslaw Milosz Estate. Printed here for personal and educational purposes only.

[image of ancient Temple of Jupiter, Baalbek, Lebanon. Via the exquisite photoblog carte blanche pedicure]

Saturday, July 15, 2006

Google Images, I still love you.

But I've met someone. I wasn't trying to. I just sort of Stumbled across him.

His name is Felix, and he's just...he just is, that's all.

I know you'll understand. Try to remember the good times. I hope we can still be friends.

(Oh. Maybe just one little break-up Google, for old times' sake).

[artwork by Ian Stevenson]

Wednesday, July 12, 2006

Poetry Thursday: Louise Bogan

















Tears in Sleep
by Louise Bogan

All night the cocks crew, under a moon like day,
And I, in the cage of sleep, on a stranger's breast,
Shed tears, like a task not to be put away---
In the false light, false grief in my happy bed,
A labor of tears, set against joy's undoing.
I would not wake at your word, I had tears to say.
I clung to the bars of the dream and they were said,
And pain's derisive hand had given me rest
From the night giving off flames, and the dark renewing.

Mox Populi

Moxie is one of my favorite words.

And just one visit to popsoda.com could make it my favorite beverage too.

For a mere consideration (and some overpriced shipping and handling), popsoda will put anywhere from a couple of bottles to a couple of cases of this distinctively different original elixir in my rec room's vintage soda dispenser tomorrow.

Or yours. Since I don't actually have a rec room, or a vintage soda dispenser.

I do have a basement. And therein, I have the restored backglass from a vintage Williams Tornado pinball game. Also some lamp bases. And a busted brass adding machine.

But this isn't about me. It's about Moxie, and my current lack of it.

Moxie's pedigree as a patent formula invented by Dr. Augustin Thompson in the 1880s hardly prepared it for its illustrious future as the first mass-marketed soft drink in America, according to its online fansite, maintained by the suggestively titled New England Moxie Congress. To say nothing of its current status as the Official Drink of the State of Maine.

Billed as a "Nerve Food," it basically was the Red Bull of its day, heavily promoted at amusement parks, gaming establishments, county fairs, beaches, and other areas where youth and vigor were the coin of the realm in the 20s and 30s. Eventually, though, even Moxie lovers were brainwashed into drinking the Coca Cola Kool-Aid and the rest is almost lost to history.

True Moxie mavens retired to the civitas of New England whence their distinctively different mass-produced elixir came, there to cry into their sodas and love other lost causes such as locally determined democracy, thrift and frugality, 100% wool sweaters, ox pulls, and The Red Sox (whose 2004 win in the World Series has made them somehow more tragic, to me anyhow).

Anyhoo.

[link to popsoda.com via Shawn. Sheer moxie via yours truly]

Monday, July 10, 2006

"That which hath been is now; and that which is to be hath already been"

from Ecclesiastes:

To every thing there is a season,
and a time to every purpose under the heaven:
A time to be born, a time to die;
a time to plant, and a time to pluck up that which is planted;
A time to kill, and a time to heal;
a time to break down, and a time to build up;
A time to weep, and a time to laugh;
a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together;
a time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose;
a time to keep, and a time to cast away;
A time to rend, and a time to sew;
a time to keep silence, and a time to speak;
A time to love, and a time to hate;
A time of war, and a time of peace.
What profit hath he that worketh in that wherein he laboureth?
I have seen the travail, which God hath given to the sons of men to be exercised in it.
He hath made every thing beautiful in his time: also he hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.
I know that there is no good in them, but for a man to rejoice, and to do good in his life.
And also that every man should eat and drink, and enjoy the good of all his labour, it is the gift of God.
I know that, whatsoever God doeth, it shall be for ever: nothing can be put to it, nor any thing taken from it: and God doeth it, that men should fear before him.
That which hath been is now; and that which is to be hath already been; and God requireth that which is past.

[image of Archimedes spiral via Gabor Toth and Glimpses, Rutgers University]

Tuesday, July 04, 2006

Brisket: The Morning After

Once in a while when I check my stats, I note a curious upswing in some particularly single-minded search among my 30 daily readers (23 usually new). For reasons as yet unclear to me, the Fourth of July brought to my site a number of anxious cooks seeking some variation of "slow cooker brisket recipe jewish."

And here it is:

Texas Oven Brisket

5 to 6 lb. fresh beef brisket, well trimmed
1 cup barbecue sauce (your favorite)
1/4 cup Worcestershire sauce
1/4 cup liquid smoke (Colgin's is best)
1 tablespoon garlic powder
2 teaspoons celery salt
2 teaspoons lemon pepper
1 teaspoon salt
1 cup chopped onion
1/2 cup water

Preheat oven to 275°F.

In a large Pyrex baking dish (or slow-cooker), thoroughly mix all ingredients for sauce. Put the brisket in the baking dish, and turn it over once to coat it with the sauce. Seal the dish tightly with heavy-duty aluminum foil.

Bake at 275°F for 5 to 7 hours (about 1 hour and 15 minutes per pound). Remove from oven and allow to stand for 1 hour before slicing. Slice across the grain, and serve with sauce. Makes 8 to 10 servings.

Note: This recipe works well with a 5- to 6-pound brisket. You need not shorten cooking cooking time for smaller cuts. About four hours is the suggested minimum for 2-3 pounds. If you don’t use a slow-cooker, be sure to use a Pyrex baking dish or very heavy metal pan. Also, before you prepare the brisket, remove it from the refrigerator far enough ahead of time to allow it to come to room temperature.

My own note: To make a classic East-coast brisket, just don’t use the BBQ sauce or liquid smoke. For more intense flavor, substitute vegetable or beef broth for the water, and/or add a quarter-cup of red wine.

[recipe via Texas Cooking and my original post here]

And yes of course you may have seconds. What nice manners your mother gave you!

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